
At the Common Table
Jamie S. Ross is the director of Red Dirt Productions and a non-residential Fellow at VFH. She’s working on a film, At the Common Table, that traces the history of …

The Art of Emancipation
Throughout the mid to late 19th century, Europe was in a state of social upheaval. Political changes, from the Revolutions of 1848 to the Franco Prussian war of 1871, swept …

Telling Untold Stories
These three fellows—of the dozen typically in residence at VFH during an academic year—are each at work on a biography of a relatively unknown figure whose story illuminates an era.

The Legacy of Kepone
Gregory Wilson, professor of history at the University of Akron, is researching the history of the Kepone disaster that took place in Hopewell, VA in the 1970s. Wilson recently sat down to talk with us about what he’s learned during his fellowship at VFH.

The Lost Art of Cherokee Letterpress
In 2009, VFH fellow and book artist Frank Brannon, began work with the Oconaluftee Institute for Cultural Arts in Cherokee, Norther Carolina, to revitalize the nearly lost art of Cherokee letter press printing. Now, he talks about his with the Cherokee community, as well as history of the Cherokee written language itself.

Remembering the Forgotten War
While researching and cataloging the many World War I memorials throughout Virginia, Virginia Humanities fellow Lynn Rainville became fascinated with the extensive, and little explored, role that Virginia played in the Great War.

Bearing Witness to the Danville Civil Rights Protests of 1963
An exhibit on the 1963 Danville Civil Rights protests has been twenty years in the making. See it in Charlotttesville through 4/30.

An Interview with Greg O’Malley
VFH Fellow Greg O’Malley shares the story of a Virginia-born slave whose tale of escape is an epic odyssey that even Homer would find incredible.

Five Questions for Ted DeLaney
Interview with VFH Board Member and Associate Professor of History at Washington & Lee

The Life of a ’57 Chevy
There are thirteen people packed between the covers of Earl Swift’s book-in-progress, but the star is a ’57 Chevrolet Townsman wagon. Auto Biography tells the true story of the car and its many owners.